|
|
The Folk Costumes
Župková, Ilona ; Maixner, Miroslav (referee) ; Gabriel, Michal (advisor)
The outcome of my thesis is airy relief in the form of a spreaded Kyjov´s women's folk costumes. It is made up of embroidery and lace, which gets their original lightness without underlying substance.The white color, I have used, strenghts this feeling. All parts are printed by the ABS plastic. I follow the transformation of hand-made embroidery on the machine-made one with this. 3D printing is another entirely fictitious step for me. Just as the embroidery machine adjusts stitches according to their outline, as well as 3D printer has its own structure of applying material.
|
|
|
The interwar history of the association baráčníci in Týn nad Vltavou
MARŠÍKOVÁ, Šárka
This bachelor´s thesis deals with the interest social association of the Baráčnická community in Týn nad Vltavou. The aim is to briefly describe the history of the association, its formation, the first years of operation and to focus on its association activities in the period between 1918 and 1938. The activity of the association in Týn nad Vltavou is very strongly connected with the activities of other baráčnická communities in Czechoslovakia at that time. In the first part I deal with similar associations in the ČSR after 1918 and focus mainly on their national and patriotic mission. I direct the second part of the work to the association in Týn nad Vltavou and also to the meritorious member and chronicler of the Týn´s community, Mr. Jeník Švehla. At the end of the work I summarize the development of the Baráčnická communities not only in Týn nad Vltavou. Based on the findings I outline further direction of this association.
|
|
|
Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
|
|
|
The Folklore of Chodsko in a Nursery School
ŠLAJSOVÁ, Julie
The bachelor thesis is focused on folklore of Chodsko in nursery school. The goal of the work is spreading general knowlwdge of children about their region. They will learn gradually the facts of history, songs in the dialect, they meet the basic of traditional dances and customs of Chodsko. All of the topics was included in collection which was tried in a nursery school. The goal is an enrichment of children in their integreted block and spreading of musical development.
|
|
|
Forming the Branch Nomenclature of Folf Costume
Dědovský, Daniel ; Štěpánová, Irena (advisor) ; Petráňová, Lydie (referee) ; Křížová, Alena (referee)
The folk costume, including its revitalized forms, is one of the most significant and simultaneously one of the most studied categories in the research of european folk culture. This research project is focused on reflections of the branch nomenclature of folk costume in the context of ethnological methodology with consideration of museological aspects and above all the history and development of the branch in its relevant european schools, streams and centers. The work is based on comparative communication of the author with less or more important characters in the branch (or closely connected) who were oriented on research of the folk costume cathegory or widely of the material culture, mostly through their professional texts. The contemporary researchers, whose work is not finished yet, are not evaluated in this work by intention, but their work and thoughts are reflected strongly as an important inspiration source of the presented dissertation. The primary goal of this project is not only observation and study the terminology and methodology for technical processing of the ethnological cathegory of folk costume, but also the research of the history of this branch underpinning its fundamental as well as less important aspects in the european international context.
|
|
|
Folklore ensembles in Znojemsko
Krčálová, Monika ; Veverková, Jana (advisor) ; Pecháček, Stanislav (referee)
This bachelor work threat about introduction folklore and another few ensembles operating in the past and in the present in Znojemsko. Whereas Znojmo isn't folklore region, there are people and traditionals who are holding this in Znojmo. In particular I am concetrating on ensemble Dyjavánek, which is operating more than 25 years. Then I describe another few ensembles, folk costumes, songs and dances. Purpose of this work is introduction of music live in Znojemsko, which is very multefarious and try to draw near the people, so administrators begin with distribution various music festivals.
|
|
| |
|
|
Mongolský tradiční oděv
Havlíčková, Veronika ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
This work focuses mainly on describing Mongolian traditional costume. The structure and style of Mongolian deel are presented. The work discusses Mongolian traditional costume in different historical periods which were essential for its development, and describes the traditional costumes of several Mongolic ethnic groups, including their footwear, headdress, jewels, and other accessories, and some specific ritual costumes. It also features the production of traditional clothing materials in Mongolia, particularly, leather tanning and felt manufacturing. Lastly, a glossary, images of some studied exhibits from Náprstkovo Museum, and paper-cut model of traditional deel are included in the appendix.
|
|
|
Ethnographic entities in Notes of Marie Červinková-Riegrová
Svobodová, Jana ; Štěpánová, Irena (advisor) ; Sochorová, Ludmila (referee)
The study deals with analysis of perception and description of ethnographic entities by Marie Červinková-Riegrová, as reflected in her Notes. The basic source is completed by other sources, mainly Memorial book of Maleč and family correspondence. The first part is paid to the study of biography of Marie Červinková-Riegrová, which is a necessary framework for exploring her relation to ethnographic issues. In another part are analyzed the Notes and their potential use for the Ethnography. The next chapter deals with the concept of patriotism as the author of Notes understood. Patriotism is introduced as one of the starting points of Marie's interest of ethnographic entities. The next chapter deals with specific manifestations of folk culture, folk customs, etc., and their reflections by Marie Červinková-Riegrová. The main emphasis is placed on the folk costume description. The following part is relating to religious pilgrimages and sacred places. The last chapter analyzes folk customs and traditions followed in the Rieger family and on the farm of Maleč.
|
|
|
The Folk Costumes
Župková, Ilona ; Maixner, Miroslav (referee) ; Gabriel, Michal (advisor)
The outcome of my thesis is airy relief in the form of a spreaded Kyjov´s women's folk costumes. It is made up of embroidery and lace, which gets their original lightness without underlying substance.The white color, I have used, strenghts this feeling. All parts are printed by the ABS plastic. I follow the transformation of hand-made embroidery on the machine-made one with this. 3D printing is another entirely fictitious step for me. Just as the embroidery machine adjusts stitches according to their outline, as well as 3D printer has its own structure of applying material.
|
guest ::
